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NEA MONI |
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Address: Homeropolis, 82 200 Chios |
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Nea Moni Monastery was built in the 11th century (around 1042
– 1056) and was dedicated to the Assumption of the Virgin Mary.
It covers an area of approximately 17,000 m2 and is
located in the central region of the island of Chios.
The buildings comprising the Nea Moni Monastery include the main
church (catholicon), 2 smaller churches, a table or trapeza which
was the monks’ dining area, the monks’ quarters (kelia) and
underground tanks (kinsternes) that were built to collect water.
In the northwest corner of the Monastery, there stands a strong
defensive tower. A tall,
stone-wall surrounds the complex of the Monastery. |
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| According
to monastic tradition, the Emperor Constantine Monomachos founded the
Monastery to repay three Chian monks for predicting that his banishment to
Lesvos was temporary and he would eventually return to the throne.
The three monks discovered the miraculous Icon of the Virgin Mary
hanging on a branch of myrtle at the Monastery’s current location.
This was where they originally built the small church with a few
quarters. The Emperor
Monomachos provided the Monastery with property and revenues, something
that was often very unusual for the Byzantine financial system. The Nea Moni Monastery became one of the wealthiest and most
well known monasteries in the Aegean.
This prosperity continued until the Turks occupied the island in
1822 and looted the Monastery, henceforth the beginning of its financial
decline. |
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The main church or catholicon is located in the central point of the Monastery. It is comprised of a main church, the esonarthex and the exonarthex. The architecture of the main temple is the well known “island” octagonal type. The only examples of this architecture in existence today are in Chios and Cyprus. |
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The other buildings contained within the limits of the stone walls include:
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The MosaicsThe
mosaics of the Nea Moni Monastery date back to the 11th century
and comprise a portion of the Monastery’s dowry.
Today, it is one of the three remaining collections left in Greece
of the mid-Byzantine period and it remains in relatively good condition. Key
characteristics of the technique used to create these mosaics pertain to
the dramatic expressions and monastic simplicity in its entirety.
The golden background occupies a large portion of the surface
drawings and as the light reflects on it, it enhances the transcendency of
the depictions and shapes as if they are moving on a superior and
spiritual world. Their exquisite quality in addition to the fact that they
comprise the work of artists directly connected with the imperial
workshops in Constantinople, place them amongst the most significant
creations of Byzantine art. The
Monastery is listed in the monuments protected by UNESCO’s World
Heritage. |
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